Biography


Dela Anyah is an artist and researcher based in Accra, Ghana, working across sculpture, photography, mapping, and archival research. His practice is grounded in the contemporary history of the tyre industry — the global systems that sustain its trade and circulation, the labour networks and migration patterns that underpin it, and the economic forces that determine where discarded tyres land and who manages them. The repair shop is where this inquiry becomes material: a site where damaged and discarded tyres converge, and where informal labour, accumulated knowledge, and ecological consequence are inseparable.

Anyah is building an archive and mapping project that documents repair sites across Ghana as primary sources. This research underpins a body of object-based work — sculptures, woven forms, and installations — that engages the repair shop as subject rather than backdrop. His essays and research have appeared in Thresholds (MIT Press), Adjacent (NYU ITP), and LIMN Magazine.

His work has been exhibited internationally, including at Biennale Internationale de Sculpture de Ouagadougou, Mitchell-Innes & Nash (New York), The Anzai Gallery (Tokyo), AKKA Project (Venice), Galleri Christoffer Egelund (Copenhagen), and Gallery 1957 (Accra). In Ghana, he has presented solo exhibitions including Elementary Rebirth at Nubuke Foundation and The Dreamer's Cocoon at The Noldor Residency.

Anyah is a finalist for the Ellipse Art Prize (2025), Second Runner-Up for the Kuenyehia Prize (2023), and a 2026 Building Beyond Fellow of the Prince Claus Fund. His works are held in the Celine Art Project, Sir David Adjaye Collection, and Fischer Shull Collection.


Photo Courtesy: Noldor Artist Residency







Curriculum Vitae



SOLO EXHIBITIONS

2023    Elementary Rebirth, Nubuke Foundation, Accra, Ghana 

2022    The Dreamers Cocoon,  The Noldor Residency, Accra, Ghana 

2019    New Slaves, Hope City Church, Accra, Ghana
2019    Abuse Series, Canadian High Commissioner’s Residence, Accra, Ghana
2019    Abuse Series, Canadian High Commission, Accra, Ghana
2019    Minutes Before a Heartbreak, Antique Lemonade Art Space, Accra, Ghana

2018    Abuse Series, Antique Lemonade Art Space, Accra, Ghana



GROUP EXHIBITIONS
2026    Atlas of Uncertainty, Origins Centre Museum, Wits University, Johannesburg, South Africa

2025     Biennale Internationale de Sculpture de Ouagadougou, Insoutenable Frontière, Ouagadougou, Burkina Faso
2025    In the Fold, Nubuke Foundation, Accra, Ghana
2025    Ellipse Prize Finalist Show, The Mix Design Hub, Accra, Ghana 

2024     Don’t Be A Square!, AKKA Project, Venice, Italy
2024     Constellations Part 2: Figures in Webs and Ripples of Space, Gallery 1957, Accra, Ghana
2024    Bold, Honouring James Barnor’s 95th Birthday. Featuring Works by Dela Anyah, Institute Museum of Ghana, Accra, Ghana. With accompanying artist talk.
2024    Form Comes To Mind, The Anzai Gallery, Tokyo, Japan

2023     Atererekariaye (2023), Africa Women and Children Climate Change Initiative Pre-Conference of the Parties 28 (AFRIWOCC Pre-COP28), West Africa Centre for Crop  Improvement (WACCI), Accra, Ghana.
2023    Homecoming, Museum of Science and Technology, Accra, Ghana
2023    X’MAS 23, Galleri Christoffer Egelund, Copenhagen, Denmark
2023     Kaleidoscope of Dreams, Institute Museum of Ghana, Accra, Ghana
2023     Worldmaking, Mitchell-Innes & Nash, New York, USA 
2023    SUMMERTIME’23, Galleri Christoffer Egelund, Copenhagen, Denmark
2023     REVERB 23 | Abstract Resonances //Contemporary Voices, Latitudes Online
2023    Kuenyehia Prize Awards, The Mix Design Hub, Accra, Ghana 

2018    Elimination of Violence Against Women and Girls, Alliance Française Accra, Accra, Ghana— Group exhibition commemorating the International Day for the  Elimination of Violence Against Women, organized in collaboration with the French Embassy in Ghana, UNFPA, Zonta e-Club of West Africa, and CoPASH.
2018     Ghanaian Artists Works in Tbilisi, iArt Gallery, Tbilisi, Georgia— Cultural exchange group exhibition organized with Antique Lemonade Art Space..

2017     Art Retrospective, Alliance Française Accra, Accra, Ghana



PUBLIC INTERVENTIONS
2025    Homecoming Dome, Multiple Vulcanizer Spaces, Accra, Ghana
2025     Elevation GIHOC, (Former) GIHOC Pharmaceuticals Company Ltd, Accra, Ghana

2024    Homecoming Madina Estates, Rims and Tyres, Accra, Ghana
2024    Forgotten Futures, Multiple Vulcanizer Spaces, Accra, Ghana       (Conducted simultaneously across multiple locations.)
2024    EDOTOM 2 (2023), Vulcaniser Shop Ashiyie, Accra, Ghana.

2023    Edem (2023), Rahim’s Vulcaniser Shop Motorway, Accra, Ghana
2023     Homecoming (2), Vulcaniser Shop Islamic School bus stop Adjiringanor, Accra, Ghana
2023     Homecoming, Bicycle Repair Shop Adjiringanor, Accra, Ghana


PUBLICATIONS 
2026    Anyah, Dela. “Walls as Luxury: The Economics of Informal Repair Shops.” Log 66. New York: Anyone Corporation.
2026    Anyah, Dela. “Tire as Roadside Ornament.” NYU ITP Adjacent, Issue 13: Ornament, 2026. Available at: View article
2026    Anyah, Dela. “The Vulcanizer Shop: Materiality, Precarity, and Informal Repair Infrastructures.” The MIT Press: Thresholds 54 
2025    Lord, Please Bring Me to a Place of Settlement. Artist publication. Afrobutylism Studio, Accra, 2025. Published to accompany the presentation at the Biennale Internationale de Sculpture de Ouagadougou (BISO).  

2024     “Art Beyond Waste”. LIMN Magazine, The Obsolescence Issue, No. 11, p. 32. Cover photograph featured.
2024    Enter the Tire Verse, artist publication, Afrobutylism Studio, Accra.


TALKS/ LECTURES
2025    Homecoming: Vulcanizer Shop as Exhibition Space, Foundation for Contemporary Arts, Ghana, Accra
2025    After the Races, After the Stunts, After You Need Me No More: A Bicycle Tire Story, SSHRED (Skating, Sustainability, Health Research, and Environmental Design) Online  Seminar   Series

2024    Ruins as Form: Inspiration and Articulation from Scrap Scapes, panelist, Nkabom Literary & Arts Festival, George Padmore Library, Accra, Ghana.
2024    Transforming Tire Waste: Histories, Processes, and Innovative Forms, virtual presentation and work display, Energy, Waste, and the Environment in West                        Africa, hosted by the Departments of Anthropology & History, Rice University (Moody Center for the Arts, Houston, USA)

2023    VOICES: Ghana’s Artists in Their Own Words Book Launch, panelist, La Gallery, Accra, Ghana
2023    Community Sense of Potential, panelist, Nkabom Literary & Arts Festival, Kukun, Accra, Ghana
2023    Presentation on Artistic Practice, Ghana Climate Innovation Centre & Atlantic Council - Climate Leadership Program, Jamestown Cafe, Accra, Ghana.



RESIDENCIES & WORKSHOPS
2025 Frame of Ghana, Reading Room: Ghana in Portrait, Si Hene Foundation, Accra
2025 Masterclass on the Aesthetics of Willis E. Bell, Willis Bell Photographic Archive, Accra

2023 Research for Arts Practice, Workshop Participant, Foundation for Contemporary Arts, Accra, Ghana.

2022 Artist-in-Residence, The Noldor Residency, Accra, Ghana 


FELLOWSHIPS
2026    Building Beyond Fellow, Prince Claus Fund



GRANTS & AWARDS
2025 Finalist, Ellipse Art Prize

2023 2nd Runner Up, Kuenyehia Prize for Contemporary Art          

2022 Semi-Finalist, Art X Prize    



COLLECTIONS
CELINE ART PROJECT    Puerto Banus 
Sir David Adjaye Collection New York | London | Accra
The Institute Museum of Ghana   Accra
Kuenyehia Collection    Accra
Canadian High Commission     Accra
Fischer Shull Collection    North Carolina



BIBLIOGRAPHY

2024    "Changing a Tyre Into Art," Sawubona, Profile by Sbu Mkwanazi, Issue 71, pp. 70-71

2023    "Voices: Ghana’s Artists in Their Own Words," Manju Journal, Twentyfour Thirtysix Ltd, p. 54





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