Interventions and Exhibitions

Homecoming Series, 2023–Ongoing


Dela Anyah’s Homecoming is a series of site-specific interventions set within vulcanizer and tire repair workshops, beginning in Accra, Ghana. Working at the intersection of sculpture and installation, Anyah repurposes discarded inner tubes, tires, and industrial fragments, placing them directly into these spaces—sites of labor, repair, and renewal. By inserting his works into these environments, Anyah collapses the boundaries between art and industry, presence and discard, function and obsolescence.

Through these disruptions, Homecoming reconfigures perceptions of materiality and value, drawing attention to the economies that shape our relationship with waste. The project unfolds as an ongoing dialogue with vulcanizers and the surrounding communities, where each placement becomes a moment of negotiation—an assertion of presence that invites reflection on the histories embedded within these spaces and the objects that inhabit them.

  1. Christian Village, Dome 
  2. Madina Estates 








Talks and Lectures

After the Races, After the Stunts, After You Need Me No More: A Bicycle Tire Story, SSHRED (Skating, Sustainability, Health Research, and Environmental Design) Online Seminar Series, 2025



As part of SSHRED's academic-led initiative, I delivered a presentation exploring the journey of discarded bicycle tires and their environmental impact. Through this talk, I highlighted how I transform these waste materials into art, reimagining their purpose through sculpture and installation. The seminar delved into broader discussions on sustainability, the consumption habits contributing to tire waste, and the potential for art to foster advocacy and meaningful environmental dialogue.




Talks and Lectures

Talk and Exhibition at Rice University: Transforming Tire Waste


At Rice University, I had the opportunity to present Transforming Tire Waste: Histories, Processes, and Innovative Forms, an exploration of my artistic practice, which transforms discarded inner tubes into meaningful sculptures. As part of the "Energy, Waste, and the Environment in West Africa" conference, I shared insights into the environmental impact of waste, my creative process, and how my work addresses climate change through repurposing tire waste. The exhibition featured pieces that illustrate the potential of discarded materials to tell powerful stories of rebirth and identity. Watch the full talk here.








Books and Publications

Contributed to LIMN Magazine & Featured on the Cover


I am honored to have written the article "Art Beyond Waste" for LIMN Magazine, which explores the transformative potential of discarded materials in art. In this piece, I delve into how materials such as inner tubes and tires, often overlooked or deemed waste, can be reimagined into sculptural forms and installations. In addition to authoring the article, I am excited to have my work featured on the cover of this edition. You can read the full article here.

LIMN MAGAZINE
Vulcanizer Shop in Accra, photographed by the artist Dela Anyah, 2024.



Photograph of Dela Anyah by Tesa Sacitey.
Photograph of Dela Anyah by Tesa Sacitey.
Dela Anyah reconfigures discarded inner tubes, tires, and industrial remnants into sculptural assemblages that interrogate materiality, labor, and systems of value. Engaging with vulcanizer workshops, tire repair stations, and bicycle repair spaces, his work navigates the intersections of industry and environment, repurposing overlooked materials to reveal their latent histories and potential. Through meticulous weaving and construction, Anyah transforms these remnants into charged objects that exist between ruin and renewal, challenging perceptions of waste and worth.

View Biography, Curriculum Vitae, Work.
HOMECOMING DOME, Photograph by Dela Anyah


Current and Upcoming Exhibitions

Ellipse Prize 2025 (Finalists Exhibition)
Group show
The Mix Design Hub, Accra
April 11–27, 2025.


 2025 Ⓒ AFROBUTYLISM STUDIO LTD. SOLI DEO GLORIA